Spit on your grave sex scene
Once she physically recovers she seeks her gruesome revenge. There is an attempt in the remake to invoke a similar familial tie with the character of the sheriff who was invented for the remake but it is belabored to the point of rendering it ineffective. Although, once you start examining the details, it becomes very apparent why the original is able to be a harrowing portrayal of sexual violence that is still genuinely disturbing nearly forty years later and why the modern version is the kind of trite piece of shit that makes people hate remakes in general. In the remake it is thrown in as a relatively inconsequential afterthought before the rape begins. The original also adds a layer of complexity by efficiently establishing the fact that, despite being capable of horrific crimes without regret, the lead rapist Johnny is also a loving and attentive father. Although that can really be said for pretty much the entire cast of the remake, who all feel like poorly sketched stereotypes straight out of central casting. It is an important reminder that rape in the real world is a horrible thing and one that should be taken seriously. For instance, the fact that the men in the original mock and destroy her writing towards the end of the ordeal, as though they are trying to make their domination and destruction of her complete by also emotionally violating and destroying her.
The original also adds a layer of complexity by efficiently establishing the fact that, despite being capable of horrific crimes without regret, the lead rapist Johnny is also a loving and attentive father. By doing so, it also cuts out what is perhaps the most poignant and devastating part of the original which is Jennifer dealing with the aftermath of the crime. There are also so many brilliant, subtle points in the original that are completely lost in the remake, seemingly because director Steven R. Even the initially goofy depiction of the simple-minded Matthew in the original is made all the more chilling when he proves that, despite his initial reluctance to participate, he is just as willing to indulge in his darkest base desires as the rest of the men. It is an important reminder that rape in the real world is a horrible thing and one that should be taken seriously. For instance, the fact that the men in the original mock and destroy her writing towards the end of the ordeal, as though they are trying to make their domination and destruction of her complete by also emotionally violating and destroying her. In the remake it is thrown in as a relatively inconsequential afterthought before the rape begins. In the original the event unfolds in real time, only using time-lapse cuts when characters are traveling between locations. Although that can really be said for pretty much the entire cast of the remake, who all feel like poorly sketched stereotypes straight out of central casting. Another aspect of the original that is a key part of delivering the emotional impact is the excellent performances. There is also a palpable sense of dread, not only before but during the act as Jennifer is clearly hoping the ordeal will be over after each assault, only to have it begin again. Check it out for more dark and disturbing film reviews! For that matter, does either version depict the central act properly? It took the film from the gritty realism of its source material and plunged it deep into mediocre Slasher territory. This, along with the lingering shots of her in between assaults, is important because it further humanizes her and reinforces the traumatic fallout this event is causing her life. Considering the fact that the remake sticks very closely to the story of the original, it is almost baffling how different the final results are. Before I start, I do want to mention there are some spoilers regarding the plot so if you have not seen these films, I would recommend doing so prior to reading this. Okay, all set now? Another important point in the original is that her sexuality, the very reason they targeted her in the first place, is a key tool in her revenge, a fact that is almost completely excised from the remake. This is a subtle but very important commentary on the kind of mindset that perpetuates rape culture in our society and one that is totally glossed over in the remake. Both films follow the same basic plot structure in which novelist Jennifer Hills rents an isolated cabin in a rural town to focus on writing her book. It also self-sabotages by only showing two of the men actually committing the rape and merely implying the involvement of the others. Far from being an exploitative tool to titillate the viewer, this realistic, unflinching depiction shows rape for the vile act it truly is. It is still disturbing but comes nowhere near the unrelenting brutality of the extended, punishing realism of the original. Before long she is brutally raped and beaten by a group of men and left for dead.
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